Monday, February 27, 2012

Premature Gradation

A wiki says dependin' on what you prefer,
you shoot up with a certain foot and flow down with the other.
As though, QWOP aside, there were a wrong way to walk,
my natural favorite musta' got forgot,
'Cuz during the stairs approach of this fact I’m well awares,
it's this one foot, one foot one, won, (원?)
and clodhop stutter the steps before swinging back
into the natural state of the assademic,
a general rurbalicitry,
so long as no one checks, including me.

Saturday, February 25, 2012

Now Was Is Will Now

*For, and at the behest of, Ayumi Nagashima

As photons whisper by, tending bar
for those who can match pace,
a laser-ribbon man
lowers himself to the four-walled sunrise.
Now and then, time licks back and forth in
a mobius tune writhing above
him as he drinks and waits for his drink
to be handed to him.
The wolf crows a thin growl.
It is said, "All that he cannot do
is whatever he has yet to.
His ever-instant orbit,
his finish-start,
his slumbered record-breaking
and swallow sip:
What could he be up there
If not worth ignoring?
After wires antiquate,
after the heady air stales,
the apes will walk halfway aboveground.
Plugged in but implants. Connected by space.
Someone raise a toast: If he saves the day again,
even the day-saving ice clinks
will be a story our grandchildren,
already opening tabs,
had predicted."

Friday, February 24, 2012

The Circular Ruins 1.2


After years of study with the Administrators, alone with his Power Source, Monitor and Mouse,
the Wizard began writing. Equations, numbers and letters, symbols he had short-cut to
his Keyboard like tattoos or sable fur, all these things he placed into Memory.
He was able to work without much rest, had stocked a bank account and accrued interest,
had his groceries: fruits, nuts, rice, and milk, delivered to his door.
The windows stayed closed to keep Samaritans from causing mischief,
but the blinds stayed up so the Wizard could survey his progress.
Each day started with a few Strokes across the Keys, clicking in the sunrise,
as the light lingered higher and lower he would ebb and flow his speed.
Always Troubleshooting, sometimes not construction so much as conversation,
Discussing the Algorithms, noting each other’s limitations, capacity to evolve.
His Application must begin to breathe. As the Text he etched developed, he began to convert it to a Model.
Death watched through the crack beneath his front door.
Soon, the Pascal, Python, secret Languages he wrote himself, ran into each other,
slid into the crevices. He decided his Task had reached the torrential stage,
and opened his Mainframe to the Network. Shadowless people and other Wizards
at first feared, misunderstood what they perceived to be a chasm of Data. 
They mocked him, roasted his U in Forums and trolled his Requests.
The Wizard had anticipated this, his Spiders already searching for instances of warmth.
Soon he collected his Followers and Slaves. They combined their Bandwidth and became his mouths,
posting and composing for him, their Hits escalated, more joined, the tubes grew.
The Wizard returned to his labors, struggling with the final step, the dangerous spark,
which could wipe away as much as it could create. His arms continued to wither;
his beard hung long and wispy on his lap; his room echoed with clicks, gasps
when the Wizard remembered to breathe. The sun paled for him and
his groceries piled up, were scavenged, piled up again. Even among his beloved followers
doubt spread, until he released the Key and the Contributions flowed full Open Source up the mountain.
Veins opened, were patched, any fragments of material deemed extraneous were deleted.
Truly, no one suspected his end goal, his miracle applied intravenously to the world
was not a man in the alpha build. One, rather, at the next stage of development
because he was constructed of all the Bits of Man. And yet he was not of men,
he served no more purpose for men than a brief breeze. 
Those who could grasp the Code marveled, suspected
the Wizard, and yet none could quite conceive what existed.
When the authorities arrived, they found a child half awake.
Her Voice had broken into a human binary
of "lololololol."

Monday, February 13, 2012

Creatures of Time: The Kong Chiang


Lasting far longer than dynasties or governments is the Kong Chiang. Whereas Krannozhi perceives only the future at the expense of the present, the Kong Chiang witnesses all of time, from beginning to end, as now. Scrolls uncovered in the western deserts of China and traced to the Zhou Dynasty, approximately 900 years before the time of Christ, depict the Kong Chiang as a type of tiger, always in movement, always in profile. Its black and orange stripes trail behind it, either blurred by its speed, or forever attempting to regain ground on their own hide. 

The Kong Chiang occupies the element of air, but it is one of the few creatures of this realm that does not fly. A jade sculpture bought by an Italian merchant near Shanghai and dated to the early Ming Dynasty of the 14th century depicts an evolution of the Kong Chiang in the form of a flattened monkey.

The Kong Chiang is said to travel at speeds so great that time itself must slow to nothing. Albert Einstein surmised that objects travelling at high speeds could alter their own passage through time, thereby exchanging sequence for confluence. Chinese mainstream culture has appropriated modern science to help explain this creature. If the Kong Chiang were able to travel at what amounts to light speed, it would also grow to near-infinite mass. If it somehow did not, it would nonetheless leave an easily recognizable path encircling the Earth (to say nothing of the devastation a being moving at light speed would have to life on the planet). 

Since neither of these things is true, it has been surmised that the Kong Chiang resides only in bi-dimensional space, consisting of length and height, but no width.

Even if this implausible hypothesis were correct, there would be a line of points having no width, which no man would be able to cross (as the Kong Chiang would be continuously passing through every point of the line). Viewing this line from the side would show only a plane of whatever color the Kong Chiang may be. Touching this plane would be akin to pressing flesh to propeller blades, though its effect on the creature itself is unknown. 

The sun stretches into the moon through night and day while all events of human history are a tapestry woven within itself to the Kong Chiang. Existence is homogeneous. Legends describe the Kong Chiang as a friend to the indecisive and carpenters.

Wednesday, February 8, 2012

At a Place With and Before


"Why have I been punished with a single leg, and how am I to defend myself and remain standing without other appendages? I, one second…"

"I can only leave my hair on the ground for a moment lest it burst into flames."

"I admit that initially I held myself in high regard. My long hair draped me in the guise of an artifact of beauty, of the immortals’ yearning for art: the sincerest creation of any save them. My hair.."

"Is merely a hindrance to me now, cursed as I am by the incessant slathering of it. Here I stand, my mouth full of whatever lies around me, be it droppings, gravel or silt, or my mouth full of these wires…"

"For no matter where I go, my hair threatens to ignite. It is no more than a fuse waiting to reach me, to incinerate the stick that remains. I am but an upside question mark with a monstrous comma attached to me…"

"Pausing me. I live now in increments of communication or endless, gagged silence. What punishment is this? I do not reside in the Inferno, yet it follows me wherever I…"

And with that the beast hopped away. Too frustrated to continue beseeching me. I watched it go, alone and, perhaps worst of all, nameless. Not made to survive, yet living nonetheless. Its body appeared useless for the tasks given to it, as though evolution remained apathetic, or as though it had simply always lived, with no offspring and no mate.

I wonder still at its malformations: It had a mouth as men do, yet a face otherwise featureless, remarkable only in its slovenly nature. The leg, too, seemed more a resilient blade, lacking a knee and bending in the direction opposite me. The strange creator’s first attempts at forming life from clay.

If I am to believe the beast’s tale, the soiled and mangled trough of hair hanging from its head was once a far better sight to behold. And if that was the creator’s attempt to give recompense for an otherwise amateur dream, what led to its fall from grace? The immutable arbitrariness of the gods, a just punishment, or perhaps another accident left to its own devices?

I shall call it by the way it described itself: the Spanish use an upside-down question mark, though I know not its purpose. And that is fine, as I do not understand why this beast exists, nor why I am here (though perhaps it is merely to relate this tale to you). When I have found the name for this punctuation, I shall seek out the beast, calling it and hoping it understands. For without this task, what will become of me?